- Abbattista, Guido (ed.). (2011). Encountering Otherness. Diversities and Transcultural Experiences in Early Modern European Culture, EUT Edizioni Università di Trieste.
- Ames, Eric (2008). Carl Hagenbeck’s Empire of Entertainments. University of Washington Press.
- Ames, Eric, Marcia Klotz, Lora Wildenthal (2005). Germany's Colonial Pasts. University of Nebraska Press.
- Baratay, Éric, Elisabeth Hardouin-Fugier (2000). Zoo: von der Mengerie zum Tierpark. Berlin: Wagenbach.
- Blanchard, Pascal et al. (eds.) (2008). Human Zoos. Science and Spectacle in the Age of Colonial Empires. Liverpool University Press.
- Boldāne-Zeļenkova, Ilze (2022). Displaying Exotic Otherness: Does the Space Matter? Journal of Ethnology and Folkloristics, 16 (2), pp. 55–75.
- Bruckner, Sierra A. (1999). The Tingle-Tangle of Modernity: Popular Anthropology and Cultural Policy of Identity in Imperial Germany. PhD dissertation. Department of History, University of Iowa.
- Czarnecka, Dominika (2018). “A w niedzielę szło się oglądač ludzi”. Pokazy etnograficzne we Wrocławskim ogrodzie zoologicznym 1876–1930. Etnografia Polska, t. LXII, z. 1–2, 183–198.
- Czarnecka, Dominka (2019). Consuming Masculinity and Rase: Circus Bodies in Strength Shows and Wrestling Fights. Acta Ethnographica Hungarica, 64, no. 1, 111–135.
- Czarnecka, Dominka (2020). Black Female Bodies and the ‘White’ View: The Dahomey Amazon Shows in Poland at the End of the Nineteenth Century. East Central Europe, 47, nos, 2–3, pp. 285–312.
- Demski, Dagnosław, Czarnecka, Dominika (eds.) (2021). Staged Otherness: Ethnic Shows in Central and Eastern Europe, 1850–1939. Budapest; Vienna; New York: CEU Press.
- Dreesbach, Anne (2012). Colonial Exhibitions, ‘Völkerschauen’ and the Display of the ‘Other’. European History Online. www.ieg-ego.eu/dreesbacha-2012-en (accessed 25.10.2022.).
- Dreesbach, Anne (2005). Gezähmte Wilde. Die Zurschaustellung „exotischer“ Menschen in Deutschland 1870–1940. Frankfurt/Main.
- Garrod, Joel Z. (2006). A Brave Old World: An Analysis of Scientific Racism and BiDil®. MJM. 9, pp. 54–60.
- Harrison, Nicholas (2019). Our Civilizing Mission. The lessons of Colonial Education. Liverpool University Press.
- Hoffenberg, Peter H. (2001). An Empire on Display. English, Indian, and Australian Exhibitions from the Crystal Palace to the Great War. Berkeley; Los Angeles; London: University of California Press.
- Kontler, Lazslo (2020). Relocating the “Human Zoo”: Exotic Displays, Metropolian Identity, and Ethnographic Konwledge in Late Nineteenth-Century Budapest. East Central Europe. 47, 173–201/173–174. McLean, Ian (2012). Reinventing the Savage. Third Text, 26: 5, 599–613.
- Lindfors, Bernth (1999). Africans on Stage: Studies in Ethnological Show Business. Indiana University Press.
- Pels, Peter (1997). The Anthropology of Colonialism: Culture, History, and the Emergence of Western Governmentaly. Annual Review of Anthropology, Vol. 26, pp. 163–183.
- Roslyn, Poignant (2004). Professional Savages: Captive Lives and Western Spectacle. Yale University Press.
- Rothfels, Nigel (2002). Savages and Beasts: The Birth of the Modern Zoo. The Johns Hopkins University Press.
- Thode‐Arora, Hilke (ed.) (2014). From Samoa with Love? Samoan Travellers in Germany, 1895‐1911: Retracing the Footsteps. Munich, Museum Funf Kontinente, Hirmer.
- Thode-Arora, Hilke (2017). “Für fünfzig Pfenning um die Welt: Völkerschauen zwischen Schaugeschäft, Wissenschaft und Kolonialpolitik.” Mitteilungen der Berliner Gessellschaft für Anthropologie, Ethnologie und Urgeschichte, 38, S. 143–166.
- Zimmerman, Andrew (2001). Anthropology and Antihumanism in Imperial Germany. University of Chicago Press.